Related Paintings of unknow artist :. | Monterey Sands | oscar II | Portrait of Mary I of England, at the time the Princess Mary | Classical hunting fox, Equestrian and Beautiful Horses, 240. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 148 |
Related Artists:
John warwick smith
English Painter, 1749-1831 English painter. The son of a gardener to the Gilpin family, he studied under the animal painter Sawrey Gilpin. During a trip to Derbyshire with Gilpin he met George Greville, 2nd Earl of Warwick, who gave him financial support to go to Italy between 1776 and 1781. Smith spent 1778-9 in Naples and was otherwise based in Rome, where he explored the Campagna and made sketches with William Pars and Francis Towne. The strong greens and purples and crisp pen outlines of some of Smith's watercolours are strongly influenced by Towne's style. Smith and Towne travelled together across the Alps on their way back to England in 1781, after which Smith settled in Warwick. He contributed six views to Samuel Middiman's Select Views in Great Britain (1784-5) and between 1784 and 1806 toured Wales 13 times in search of Picturesque and Sublime scenery. He also visited the Lake District between 1789 and 1792, which resulted in the publication of Twenty Views of the Lake District (1791-5); he appears to have been in Devon and Worcestershire as well. Aquatints after Smith were used to illustrate William Sotheby's Tour through Parts of Wales (1794),
Ludovico Cigoli
Italian Baroque Era Painter , 1559-1613 was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Lodovico Cardi was born at Villa Castelvecchio di Cigoli, in Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori. Later, influenced by the most prominent of the Contra-Maniera painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th century Florentine painting. For example, for the Roman patron, Massimo Massimi, he painted an Ecce Homo (now in Palazzo Pitti). Supposedly unbenknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. It is unclear if they are completely independent. Cigoli's painting seems to have been made with knowledge of Caravaggio's canvas; however, while Cigoli's work lacks the power of Caravaggio's naturalism, the background shade and sparse foreground shows how much he was moving away from crowded Florentine historical paintings. This work was afterwards taken by Bonaparte to the Louvre, and was restored to Florence in 1815. One of his early paintings was of Cain slaying Abel.
Jean-Germain Drouais
1763-1788 French Jean Germain Drouais Locations Son of Francois-Hubert Drouais. He trained first with his father and in 1778 enrolled at the Academie Royale, becoming a pupil of Nicolas-Guy Brenet. Around 1781 he entered Jacques-Louis David studio as one of his first pupils. The following year, though not officially entered for the competition, he painted that year Prix de Rome subject, the Return of the Prodigal Son (Paris, St Roch), presumably as a trial for his own edification. The picture has a friezelike composition and reveals both the influence of Jean-Francois Peyron and David as well as debts to Poussin and Italian 17th-century sources. In 1783 Drouais reached the Prix de Rome final with the Resurrection of the Son of the Widow of Nain (Le Mans, Mus. Tesse) but was eliminated from the competition in extraordinary circumstances: impatient to know his master opinion, Drouais cut a section off the canvas and smuggled it out of the competition rooms. David acknowledged it to be the best thing his favourite pupil had yet done, but by his hasty action Drouais had disqualified himself. However, the following year he won the prize, and great acclaim, with the Woman of Canaan at the Feet of Christ (Paris, Louvre), an extremely accomplished piece influenced by Poussin work and David Belisarius (Lille, Mus. B.-A.).